on August 28th 2017
Genres: Post-Apocalyptic, Romance, Suspense
Thais Fenwick was eleven-years-old when civilization fell, devastated by a virus that killed off the majority of the world’s population. For seven years, Thais and her family lived in a community of survivors deep in the heart of the Appalachian Mountains. But when her town is attacked by raiders, she and her blind sister are taken away to the East-Central Territory where she is destined to live the cruel and unjust kind of life her late mother warned her about.
Atticus Hunt is a troubled soldier in Lexington City who has spent the past seven years trying to conform to the vicious nature of men in a post-apocalyptic society. He knows that in order to survive, he must abandon his morals and his conscience and become like those he is surrounded by. But when he meets Thais, morals and conscience win out over conformity, and he risks his rank and his life to help her. They escape the city and set out together on a long and perilous journey to find safety in Shreveport, Louisiana.
Struggling to survive in a world without electricity, food, shelter, and clean water, Atticus and Thais shed their fear of growing too close, and they fall hopelessly in love. But can love survive in such dark times, or is it fated to die with them?
J. A. Redmerski answered some questions about writing, personal stuff, self-publishing and other books in the works!
Tell us a little about why you write in so many different genres. Does it work for you?
I can’t stick to one genre. I love writing all types of stories. Does it work for me? Yes and no. Yes, because I’d start to feel claustrophobic if I had to write in the same genre all the time. No, because I think it confuses my readers that I write everything under the same author name. I regret that decision to this day. My advice to authors considering it: Don’t make this mistake!
How do you plot your novels? Do you outline?
I never outline because I like to let the story and the characters take me where they want to go. Some authors can outline very well and it works for them, but I can’t do it. It has always felt more natural to me to just go along for the ride and see where it takes me, kind of like in real life, I guess. Some scenes in my books were figured out ahead of time, but not ‘planned out’ ahead of time, and there’s a big difference. The only exception to this method is that I do always know my ending before I begin. (Except with my book DIRTY EDEN)
Who is your favorite author and what is it that really strikes you
about their work?
I don’t have a favorite – I have several! Anne Rice and Neil Gaiman I have admired for many years. I love Rice’s deep, descriptive style and Gaiman’s unique ideas. But I also love Paullina Simons and Cormac McCarthy – there are just so many! And, of course, there’s J.K. Rowling, but I don’t really have to name her, do I? Isn’t she everybody’s favorite by default? ?
Who is your favorite book boyfriend?
How important is it to understand the basics of publishing before delving into self‐publishing?
Writers need to understand that self‐publishing is not easy. Sure, you can write a book and upload it and start selling, but there is so much more to it than that. If a writer chooses to self‐publish they must commit to some hardcore self‐promoting and spending a lot of their own money (professional editing, giveaways, review copies, cover art, advertisements, etc.). Bypassing all of this stuff can leave your book buried beneath the avalanche of millions of other books competing for the same exposure.
Can you provide a few self‐publishing best practices you believe brought you literary success?
Some of what I’ve already mentioned are good practices, but also, I’d like to point out two things that I believe contributed to my success: kindness and professionalism. I’ve read a lot of horror stories from book reviewers who were verbally attacked by authors because they turned away a review request or gave a bad review, and similar stories about authors and agents. Know in advance that no matter how hard you worked to write your book that it’s not the next bestseller (until it is), that it isn’t better than J.K. Rowling or Stephen King and that you have absolutely no right to make these statements out loud to anyone. Period. And lastly, no matter how much it hurts your feelings or pisses you off, never reply to a bad review. Ever. Not even if something the reviewer said was 100% wrong. Just don’t do it.
Fans of your In the Company of Killers series are wanting to know why it’s taking so long to release book #7. Can you give us some information on it?
I do get this question every day it seems, but it’s so hard to reply to everybody. I’ll do my best to explain what’s going on with book 7 right here. So here goes! I’m 100% dedicated to that series, and I know it’s frustrating that after six books, it’s taking a longer-than-average time to publish the seventh. But I need everyone to understand that not only have I been going through a lot of personal things the past year-and-a-half that prevented me from writing much of anything, but also, I just needed to take a step back and finish EVERYTHING UNDER THE SUN before I tried to tackle any other book. EUtS has been a work-in-progress going on, I think, almost three years now. No matter what else I tried to write, EUtS kept looming in the back of my mind, and it was affecting my current works-in-progress (book 7 included). I knew that if I didn’t just put everything else aside and finish EUtS that my other books would, quite honestly, be shit. Not all writers are the same, of course, but I’m one of the ones who absolutely must work on the book that’s taking up the most space in my heart and mind, instead of the one everybody is waiting on. But I promise, I’ll be back to work on SPIDERS IN THE GROVE soon! Just please be patient with me. ?
You stated that you were going to write Lily’s book (from THE EDGE OF NEVER) – is that still a certainty?
I do still intend to write Lily’s book, but at this time I can’t estimate when that might be.
And now, enjoy the excerpt!
EVERYTHING UNDER THE SUN – JESSICA REDMERSKI – COPYRIGHT 2017
“THE IMPENDING ACHE.”
“Thais,” I said, “I do think you’re beautiful. I just—.” I couldn’t force myself to say the things I really wanted: I want you to want this kiss, not because I’m the only man here to give it to you. But her heartfelt speech about todays and yesterdays and tomorrows and the very real possibility that there might not be another one, didn’t alleviate that thought—it only reinforced it.
In the end, after fighting with myself, all that mattered to me was what Thais wanted, what Thais needed. And if it was simply a kiss she asked of me, then I would do it. For her. Not for myself, though as much as I, too, wanted it, as much as I knew it would only make my own needs and wants more unbearable, I would endure the impending ache if it would ease hers.
I leaned toward her slowly; my eyes swept the curvature of her lips, the tiny hollow beneath her nose, and I touched the left corner of her mouth with my own.
The right corner.
The impending ache…